Ebook , by Négar Djavadi
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, by Négar Djavadi
Ebook , by Négar Djavadi
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Product details
File Size: 1259 KB
Print Length: 320 pages
Publisher: Europa Editions; Translation edition (May 1, 2018)
Publication Date: May 1, 2018
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B079P59631
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Amazon Best Sellers Rank:
#97,966 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
A crash course in Persian/Iranian history that transcends form. A novel that reads like nonfiction the way I wish nonfiction was more often written. Historical, semi autobiographical yet a true novel, one which elucidates a period of history still affecting the world and its people. Highly recommend this challenging novel.
Very well-written and poignant. It’s virtually a history of modern Iran told through the experience of the youngest daughter of an Iranian family living in Paris. Djavadi writes movingly about the difference between immigration and exile and the difficulties faced by anyone trying to integrate into a new, foreign culture. A beautiful book.
This book knocked my socks off. I loved the story. I loved the manner in which it was told. I loved the characters. I enjoyed the history lesson. What a writer! It's especially impressive since this is her first novel. I can't gush enough about this book. This one will stick with me for a long, long time. I hope there are more to come from Ms. Djavadi. An excellent read!
Excellent translation of an unforgettable tale. I kept hearing about this book, but it hadn’t been translated into English yet. Now it is. A story that will stand the test of time.
Off beat coming of age story, exploring the difficult paths and heartbreaks of immigrants. Intensely personal and unique story of an Iranian born girl’s journey.
Really enjoyed this book, easy to read with characters to love as story develops. Recommend.
At the very onset, let me tell you that "Disoriental" is not an easy book to read. I think most literary fiction isn't. You have to give the genre some time to grow on you and once it does, there is no looking back. Having said that, the reading experience differs with every book.The thing with "Disoriental" is that (and to me, this was important while reading it) it is written in French (the adopted country of the author) and not in the author's native language Farsi. This in itself says so much about the book and its progression.The readers are in for a treat when it comes to this book. From a modern-day fertility clinic, we are transported to modern Iranian culture and in the bargain the history of a country. Might I add that there are magic realism elements as well that take your breath away, even if you have read Márquez or Rushdie. Kimiâ Sadr fled Iran with her mother and sisters to join her father in France, at the tender age of ten. She is now twenty-five, in a fertility clinic waiting for her turn and memories come rushing by.I love how Djavadi has integrated the personal and the political. It is as if they are intertwined and to a very large extent maybe they are. The past, present, and future of the country of birth will somehow in so many ways, will always be linked to ours, whether we choose to acknowledge it or not. The Sadrs are a flamboyant lot - from Kimiâ's formidable great-grandfather to her father and uncles. Not to forget her mother from whom she was greatly inspired. "Disoriental" besides being a book on identity, exile, and homelessness, is also a book on a family in the midst of political upheaval and regime change. Iran is described on point (not that I have been there but can figure, only going by movies I have watched and other books I have read) and there is mention of "THE EVENT" of March 13, 1994, which is spoken about throughout the book and revealed with a feeling of horror toward the end. The thing also about "Disoriental" is that it feels as though it has come from a very personal space, almost autobiographical and maybe it is. Family looms large in the narrative and plays along beautifully alongside, combining the personal and the political. Also, not to forget the sexual. Kimiâ's sexual identity is also explored which I thought was much needed. "Disoriental" is about distances and perhaps also about the ones we do not sometimes want to traverse. It is about alienation and somehow feeling grounded wherever you are, in a very strange manner. The tone and voice of the narration keep changing in the book, which to me made it jumpy and out of the flow. Having said that, it was needed to give background about characters and the place they came from. There are multiple journeys in one book - they run parallelly to each other and the author uses deep, lyrical sentences that give it the much-needed elegance. At the same time, to understand that all of this is translated into English makes one be in awe of Tina Kover, given how dense the book is. There is a lot of thread of memory - through objects, people, place and time (you will keep reading about THE EVENT a lot by the way), lending it the Proustian quality (I wasn't surprised at all). All I can say is that "Disoriental" is a book that has so much to offer, and does it in a lot of ways and stupendously at that.Â
“[T]o really integrate into a culture, I can tell you that you have to disintegrate first, at least partially, from your own.†The creation of Kimia Sadr’s individuality set against her Iranian and French backgrounds, Disoriental, Négar Djavadi’s debut novel, is as fresh as a newly fertilized egg. Born in 1969 in Tehran, Kimia Sadr is the youngest of Darius and Sara’s three daughters. Kimia is born for a second time in French, when she is ten, after her mother and sisters follow Darius to exile in Paris. Instead of Kimia, she becomes Kimi, with a chance to make up an identity all her own. She tells her story from front to back, beginning in the waiting room of a Parisian in vitro clinic and filling in her history back to her family’s roots in Iran. Although her father refers to the French as “them,†Kimia candidly narrates in the first person, addressing, “you,†her (mostly) French audience. She grows up steeped in rebellion, her parents intellectuals and protesters against the imperialist regimes of the Shah and Khomeini. She, too, rebels against growing up, against becoming a woman, against the past, against speaking, against assigned roles. The intimacy of her tone - including conversational phrases like, “for your sake…,†“let’s linger for a minute†- shows how far she comes from pushing against, keeping her distance; her “love disability,†as she calls it, to welcoming new life.Disoriental is a total reorienting along free associations. The novel is difficult to categorize. Based on the author’s life, it is personal memoir and political history layered betwixt and between each other. But it is also a collage of indie music and cinema, books and subculture references. It is literature on drugs, a stream of consciousness dialogue that only makes sense taken as a whole. Juxtapositions structure the book: the conversational tone and Kimi’s proclivity for hiding, Kimi waiting in the in vitro office and her father’s escapades, her birth and her grandmother’s death, coming out to herself and the 1979 revolution, 9/11 and reuniting with her girlfriend Anna, leaving Iran and Iranian New Year’s. While seeming coincidences, these pairings inform each other, forging new meanings and a unique genre of storytelling.Toward the end, the novel becomes more linear the happier Kimia becomes. She becomes the person she envisions herself to be: a music mixer. She masters sounds as Djavadi masters a new style of prose. Disoriental delights and challenges the literary palette with a one of a kind tale of one woman’s coming of age amidst Iran’s tumultuous recent past.
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